Fixing the Machine
A continuation of last month’s post on Terry Gilliam’s “Brazil,” which is also part six of a continuing series on man and the machine. The …
A continuation of last month’s post on Terry Gilliam’s “Brazil,” which is also part six of a continuing series on man and the machine. The …
There is such a thing as mental pollution and that is what our children must be protected from at an early age. Adults are able to filter those toxins but not children. I was kept away from violently gruesome films until after my mid-teens. Maybe that’s why I can keep my peace. Perhaps others can’t because they were exposed too early.
Does the rest of the world comprehend now how random citizens go on killing sprees in my country? The malfunction of the American dream is not part of some twisted conspiracy, but an unfortunate side effect of toxins churned up by our misuse of machines.
Of course, Dave’s journey is assisted by invisible extraterrestrials, with whom he shares some destiny. We can’t rely on such interventions, at least not yet. That’s where the movies come in.
Whenever we buy a movie ticket, or click to a live stream we’re asking for the truth. The same thing that keeps us from seeing the truth while it’s happening to us is what makes it plane as day when we watch it replayed on screen.
Most of humankind huddles closely together over the dividing line between poverty and self-sufficiency and Josh Zeitlen’s lens stands squarely over that fulcrum.
Beauty’s story should be interesting to anyone that feels trapped in a man’s world. This should be interesting to all genders when it addresses anxiety generated within our rigidly enforced hierarchy’s dominant sexual codes, and it should be interesting to all humanity in any way it might articulate our frustration when we are confronted with any of life’s polarizing dilemmas.
…this main character’s goal is not to idealize Venus so much as expose her as–as what? I am not sure. Is she a fraud, a groupie, a mere mortal, or a beast? Though it is obviously clear what has been exposed to all concerned in the story, the audience must decide for itself what the master has laid bare.
The filmmaker has gradually imposed on his audience a hip cinematic predicament, but it’s not our camera, so we can’t be blamed. We are only watching.Right?
Few of her modern adherents still connect with her illustrious lineage. Present day folk place are less superstitious and more literal. She’s morphed from The Morning Star into The Ideal Babe, blown up thirty feet tall at the local movie theater.
Category Archive: New Media