film • video • photography
Most of us love motion pictures. While I was always keen on learning how to make movies, it was not until we moved to Santa Fe that the possibility became a reality. New Mexico has abundant facilities, resources, training and legacy of filmmaking that goes back to Thomas Edison.
In our day, the majority of art is appreciated via the technology of Hi-Definition. Therefore it became not just an artistic ambition but a practical decision that made us enroll in film school. Since 2008 we have graduate level certificates in film production and have produced several of our own as well as worked above the line on dozens of projects.
Whatever medium of art one has to offer, HD is the means by which to share it. With the help of this technology, our creations can reach the entire global community.
Ape Huchi Wakka Ush
About the making of Open Channel Content films
Shot in Dixon and Taos New Mexico. Enjoy!
BAILOUT was awarded the “Best Picture” award at the Santa Fe Reporter 3 Minute Film Festival, which programmed 30 shorts from as far away as the...
"Ode d' Brew" with Brendan Wedner, Stephanie Nagler and Matt Sanford. Written and Directed by Stryder Simms for Open Channel Content, with music by...
90 sec. trailer for the pilot of our current proposed episodic seriesThis month’s post was intended to analyze the movie “12” (2007) from the...
•Feature Length Screenplay• Fresh out of the pen, Leo dives, nose-first, into a new deal in this dramatic feature length screenplay by Stryder Simms. Read the entire screenplay at this link.
In “Father’s Failure,” a screenplay by Stryder Simms, meet Rev Billy Pritchard, holding forth in the dingy light of a bad neighborhood.
Pepper Corner is a far-flung outpost of the American westward expansion sitting on the sweet spot of a fertile valley between two such sheltering mesas.
If I had to describe it to someone in a single line I’d say Vol. 2 unspools like one-third act of contrition, another third true confession, shedding light in cracks on his persona, as well as a few embedded in the collective unconscious, and one third of the time jabbing at the eyes of his audience.
The story I watched flat out warns us that violence breeds violence, as we watch Jo seesaw from being the punished to punisher in Volume 2. In the movie I watched, the protagonist finally learns to accept herself for what she is. That was not a predictable ending for me.
If we in the audience were, up to this point, able to surf around the unseemly circumstances of the characters in the movie and cling to some shred of erotic stimulus from the earlier setups, both filmmakers rake them out of your fists, unequivocally in their Act III climax when human acts grossly defy common sense.
Man in the Machine – Sci Fi Cinema
Whenever we buy a movie ticket, or click to a live stream we’re asking for the truth. The same thing that keeps us from seeing the truth while it’s happening to us is what makes it plane as day when we watch it replayed on screen.
Of course, Dave’s journey is assisted by invisible extraterrestrials, with whom he shares some destiny. We can’t rely on such interventions, at least not yet. That’s where the movies come in.
Does the rest of the world comprehend now how random citizens go on killing sprees in my country? The malfunction of the American dream is not part of some twisted conspiracy, but an unfortunate side effect of toxins churned up by our misuse of machines.
Films of our enemies
I am confident that the advent of this easily accessed, ever improving tool for multidimensional communication will open up space in our minds for enlightened insights that allow us to outrace our present impasse and relegate its numbing inertia to the past.
“But what can be done when mercy has a greater force than law.” Quote opens the movie “12” (2007) by Nikita Mikhalkov.
It is not as simple as black and white, since we are all composed of some of both, to differing degrees, but justice alone does not wield the sharpest blade. If apathy is the dulling trait we each most need to self negate, mercy is most deserving edge to activate by all peoples, parties and states.
seven greatest films ever made
More than any other director than I can think of, Tarkovsky’s films could be strung together from first to last and represent a continuous fugue in which the artist’s grappled with the same challenge repeatedly and resolved some different aspect of it, each time, in some fascinating and inventive new way.
Experience accumulates and organizes itself as knowledge along great forked trunks, branched, limbed and twigged networks in our minds. Tarkovsky’s camera conducts itself along similar lines.
The intention of the filmmaker determines whether what they make will contribute more to culture or commerce. Tarkovsky speaks of art as an act of sacrifice for the sake of love and as a potential unifier of humankind. What a thing to say in a book about filmmaking.
Santa Fe Film Festival Press
If this evening’s event at the Screen hosted by the Santa Fe Film Festival is any indication, we’re in for a great time at the movies this October. I was treated—along with a couple hundred other movie lovers—to an advanced viewing of "The Way," written, directed by,...
The U.S. is considered the evil perpetrator in the eyes of the Nazi children fleeing Allied occupation in Aussie director Cate Shortland’s latest film “Lore.” The script is adapted from Rachel Seiffert’s bestselling novel “The Dark Room.” In the aftermath of the this...
The musical quartet was invented to exploit the fundamental registers of the human voice. Its meaning has morphed to denote any art form where variations can be tried on the theme of four. Four is a tidy number. Like voices in a music composition, an effective quartet...
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