HD

film • video • photography

Most of us love motion pictures. While I was always keen on learning how to make movies, it was not until we moved to Santa Fe that the possibility became a reality. New Mexico has abundant facilities, resources, training and legacy of filmmaking that goes back to Thomas Edison.  

In our day, the majority of art is appreciated via the technology of Hi-Definition. Therefore it became not just an artistic ambition but a practical decision that made us enroll in film school. Since 2008 we have graduate level certificates in film production and have produced several of our own as well as worked above the line on dozens of projects. 

Whatever medium of art one has to offer, HD is the means by which to share it. With the help of this technology, our creations can reach the entire global community. 

FILMS

Ape Huchi Wakka Ush 

AGNES DAY

FULL POLLEN MOON

BAILOUT

John Barleycorn

SCORCHED LADDERS

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About the making of Open Channel Content films

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Selected Images

 

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VIDEOS

Murphy’s Midway

RODEO SANTA FE

GUADALUPE’S RAYS

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SCREENPLAYS

“Pepper Corner”

“Pepper Corner”

Pepper Corner is a far-flung outpost of the American westward expansion sitting on the sweet spot of a fertile valley between two such sheltering mesas.

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FILM COMMENTARY

“Contempt and Self-Hate”

If we in the audience were, up to this point, able to surf around the unseemly circumstances of the characters in the movie and cling to some shred of erotic stimulus from the earlier setups, both filmmakers rake them out of your fists, unequivocally in their Act III climax when human acts grossly defy common sense.

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Highjacking Intent

In direct contrast with mainstream internet adult content, we are shown the dark side of a disease and acquire compassion. The maker of this film is depending on our social corrective instincts to kick in, not to sexually gratify his audience with one more exposé of skin.

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Rearview Mirror

Screenplays chosen for wide release on the big screen are selected by the filmmakers for some reason, so lets’ examine why they gambled on an adaptation of Noah’s flood this time. The story of Noah reflects our current existential landscape. Noah’s spirit resides in every person alive today that assists in protecting nature and humanity from obliteration.

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Man in the Machine – Sci Fi Cinema

Host in the Machine

There is such a thing as mental pollution and that is what our children must be protected from at an early age. Adults are able to filter those toxins but not children. I was kept away from violently gruesome films until after my mid-teens. Maybe that’s why I can keep my peace. Perhaps others can’t because they were exposed too early.

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Escaping the Machine

Gilliam’s screenplay descends from last century storytellers, such as Franz Kafka, and George Orwell whose clairvoyant visions gave us today’s headlines fifty to a hundred years in advance.

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Fixing the Machine

Sam was not interested in getting out of his situation except in dreams and even that was a selfish scheme. When the woman of his fantasies walks right out of them into real life and she turns out to be a free thinker, Sam never asks her why.

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Films of our enemies

First Impressions

“Through dreaming you have the opportunity to tolerate some of the unchangeable hardships of life.” Abbas Kiarostami

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Judging by what we are shown

Politicians and news reporting agencies are just another bunch of storytellers. Cinema makes us a better deal. It provides us the most factual history. Because it doesn’t rely on actual names or accounts to sharpen our sense of what is false and what is real.

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seven greatest films ever made

Acrobatic Ideas

Tarkovsky would say the experience of the present is elusive, a slippery one where anything could yet develop. The past is certain, it is therefore more solid. Evidently even a sculptor in time seeks something substantial for his chisel.

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Art and Conscience

In “Andre Rublev”, Tarkovsky’s application of the theater of cruelty is fashioned to nourish pity, tug at the heart and urge us toward compassion and harmony. He intends for me to empathize with his victims.

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The Artists Views

…As in a mirror, an icon, a riddle. I see life eternal which is nothing less but that blessed regard, that gaze of love that never ceases to behold me even in the most secret places of my soul.” Cusanus (1401-1464)

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Santa Fe Film Festival Press

The Abysmal Gaze: A Preview of “Leviathan”

The Abysmal Gaze: A Preview of “Leviathan”

“Leviathan”, screening at the Santa Fe Film Festival this year, is a highly effective horror film made all the more so without a clear beginning, middle or end, because what we witness goes on in real life, day after day after day. With the preponderance of...

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CONTACT US

Open Channel Content, LLC

520-906-8276

info@openchannelcontent.com